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Video: Nas Speaks on Absence from OB4CL2 & BP3

Sunday, September 27th, 2009

The Punchbowl Blog caught up with Nas at the Orange Rock Corps concert over in the U.K. and asked him about his new album with Damien Marley and his next solo project. When the interviewer asks him about his FAILure to submit a verse for “Verbal Intercourse 2”, he says that this is the first he’s hearing of it. When she specifically asks him about “Empire State of Mind”, he tells her to move on to the next question. Nevertheless, he goes on to say that Only Bult 4 Cuban Linx 2 and Blueprint 3 are two of his favorite albums right now and cites both as sources of inspiration. He also comments briefly on Kanye at the VMAs, Kelis and being offered the Def Jam presidency. Finally, he mentions Drake, Lil Wayne and Asher Roth as “new” artists that he respects.

Previously: Raekwon Talks Nas’ No-Show On OB4CL2

Video: The Making Of BP3’s Artwork

Tuesday, September 15th, 2009

Related: BP3 First Week: 465,448

Says photographer Dan Tobin Smith to ItsNiceThat.com:

Greg Burke, the creative director on the project at Atlantic Records had seen the Letter ‘E’ I had shot with the set designer Nicola Yeoman and I guess he had it in the back of his mind when he was thinking of ideas for Jay-Z’s new artwork for Blueprint 3. I think Greg and Jay-Z had lots of ideas about what the album meant and it seemed to be about taking it back to the source, in terms of the music itself and then subsequently the artwork. For the album and the idea was it was very much about the music and all the things that make music. The 3 is represented by 3 bars which is of course the old way of writing ‘3’ so that seemed to work really nicely with the idea behind the album and the set design that evolved. We all liked the idea that the installation was almost machine like, like all these things were interlinked. That’s why everything is packed and jumbled together. Like it had kind of grown out of this corner.

I think it was a brave approach for Jay-Z as all his previous albums have had him on them. I love still life, and the way I shoot is quite old school. It took 3 days to shoot, was all shot on 10×8 inch film, so the quality in the whites is fantastic, so much subtle tone. We worked long and hard on the colour work on the post and even in a single page mag advert I can see that effort. You could blow the image up to the size of a building and it would still hold up. It seems the album is about that old school crafted production so its nice that that same method went into the shoot.

The reaction has been really good. Kanye put it on his blog which was nice. I’m sure some people want to see Jay-Z on the cover but at least they will talk about it. I love the idea of this kind of still life photography being so looked at. When they see the rest of the shoot for the singles I think it will grow on some of the people who were maybe less enamoured with it. There has obviously been comparisons to the letter E, some people not realising it was me who shot it! It was great that we shot it and the whole experience was great, everybody worked together really well.

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Jay-Z – D.O.A. (Death of Autotune) [CDQ]

Saturday, June 6th, 2009

Not sure about what you might have seen floating around since last night, but I can assure you that this was not ripped from the radio. Of course I can’t vouch for the claims of others, but on this version – Jay-Z says DJ Clue’s name. 48 hours don’t apply.

Jay-Z – D.O.A. (Death of Autotune) (Produced by No I.D.) | Sharebee

The song wasn’t custom made for Flex & Cee like they were trying to make you to think (no shots guys), it was made for whoever plays Jay’s records and Flex even said that other stations might be shook and cut their names from it – what part of the game is that?

Props to Splash. Related: No ID the Sole Producer of “D.O.A.”

Previously: Jay-Z – Death Of Autotune (prod. No I.D. & Kanye West) [Radio Rip]

Update: Jay-Z – D.O.A. (Death of Autotune) (prod. No I.D.) (Mastered)

Props to YN for the Dirty/Mastered, courtesy of Young Guru himself.